Movies: Bradley Eros

An anthology of one-minute films created by 60 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, E...

Two policemen interrupt a secret ceremony: a woman being disembowelled at the bottom of a garden to let out her inner beauty. This situation is presented in a variety of ways and all possibilities are explored....

A radical remix of the recent Transformers film, via synthetic collapse and critical revenge on its old & new fascist tropes > celebrating SPEED. NOISE. + DANGER. The fervent declarations & violent poetry of the Futurists are superimposed on the m...

"A collaborative expanded cinema composition featuring live music, poetry, and performance. We aspire to weave together a spectrum of elements of the mycelium underground and its visual fruiting bodies, represented here by the film medium & its offsh...

Hand-developed meditations on being and movement, as inspired by Gysin's Dreammachine, Sufi mysticism, and early cinema. A knowledge of the fragility of existence mirrors the tenuousness of the material. The film itself becomes the site to experience...

COLOUR THEORY uses a multitude of white projector light [all possible variations: 35mm, 16mm, R8 & S8mm, 35mm slide] with a spectrum [RYB/OGV] of hand-manipulated coloured gels, moving apart & over-lapping in layers, to create a blended mixture of my...

Totems of destruction and desire. An operation on the combustible urges in a junk black mass. A swiftly-sliced nightmare of history and erotic autobiography....

Riddles in the LAByrinth. A ritual shadowplay in 7 movements with intertitles, from a live performance at The Gas Station, East Village NYC circa late 80's. Thanks Jack Vengrow for the welding light, and thanks to the FDNY for dousing the burning cha...

“Without giving away too much, I’ll just say that the ‘soundtrack’ is inside the mind of the viewer, as they experience the ‘film’. An experiment & a provocation.” –Bradley Eros...

Originally super-8mm in a 16mm projector, found footage hand manipulated in the gate, the work derived from 'intentional accidents' developed from a Robert Beck Memorial Cinema program called "Mistakes (everything you can do wrong)." It uses a short ...

Erotic Psyche [Bradley Eros & Aline Mare] ELECTRAMORPHIC 1987, 14 min, Super-8mm-to-16mm Visions of creation & destruction: the birth of pyromania and explosive technology. Promethea’s homage to Reich & Tesla and the Orgone of Alternating Current....

The séance is the prototype of modern multi-media. I approach the séance as a medium, or a structural form of media manipulation, somewhere between an art and a belief-system, a cutting-edge demonstration of new technologies mixed with psychic proj...

Dorothy's l'amour fou evoked in evanescent fragments unexpectedly encountered. The missing link between Rose Hobart and Maria Montez via Rrose Selavy's bride stripped bare by the song of the sarong....

“A site-specific cinema performance employing the myriad parameters of the technical apparatuses of analog film projection and light, using Anthology’s Maya Deren Theater projection booth & projectors and operated by our skilled projectionists. The w...

“In the context of an ‘Imageless Films’ series, it’s significant that ‘mercury’ is radio as cinema, ~ a looped excerpt from Orson Welles’s Mercury Theatre radio play of DRACULA, a performance of sound creating sight, but especially, the utterances an...

“eau de cinema is an attempt to contain the uncontainable, to bottle the essence of poetic thought and accident, as a perfume of the creative act. It is also memory driven by an irrepressible mourning, the way scent is linked to both loss and longing...

"AERODYNAMICS OF THE BLACK SUN is an alchemical process reflecting decay and regeneration in the solar realm. The elasticity of materials under chemical change creates metaphors & abstractions for manipulated plastics burning in the gate. These pyrog...