Movies: Michel Nedjar
- 1978
Cinématon (1978)
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Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each...
- 1983
Souvenirs/Rouen (1983)
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Fugitive images of the northwestern city of France....
- 1978
Cristaux (1978)
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The tetralogy pieces are dominated by the concept and presence of death, foreclosure, fetal vertigo. As such, CRISTAUX is a real descent into an inner labyrinth, which we do not know if it is organic or cultural. At the same time, the film contains a...
- 1977
Cristo (1977)
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All of history, that of Christ or any other, permeates the world, leaves its mark, modifying and informing history, and all that the human reproduces and creates. The best way for historical interpretation or literary adaptation is to move as far as ...
- 1984
Mesures de miel et de lait sauvage (1984)
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Teo Hernandez films waste and scrap found on the pavements of the streets of Paris. “Sidewalks are great subjects: garbage, objects and materials, stains, signs, are a movie subject.”...
- 1980
Graal (1980)
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The film Graal goes (as well as all the films which precede it) toward an open and avowed paganism, in which pagan force and magic imbue all the subjects at all times. (...) This is not about "the" Holy Grail and its legend but about the concept of t...
- 1977
Désir (1977)
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- 1984
Chutes de Michel Nedjar (1984)
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Outtakes from the movie...
- 1977
Esmeralda (1977)
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With Esmeralda, Hernandez shifts to the romantic mythology, but this descriptive aspect is secondary in the filmmaker's work, whose purpose is the constitution, by interposed myths, of a baroque cinematographic language. From this point of view, he j...
- 1981
Sur Graal de T.H. (1981)
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...
- 1980
Lacrima Christi (1980)
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Lacrima Christi is the longest of the over 150 films made by the Mexican filmmaker resident in Paris, Teo Hernández. Part three of a tetralogy devoted to Christ’s Passion, Lacrima Christi is an exploration of the transfer between desire and myth that...
- 1976
Salomé (1976)
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A personal interpretation of Oscar Wilde Salome from three basic elements: the light, the color, and the projection speed....
- 1978
Angle (1978)
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"ANGLE, with its brief black and white shots, almost always plunging and oblique, of naked bodies or parts of bodies, is a film of rupture. Punctuations of black primers break up the filmic continuity, isolating snapshots or brief furtive movements: ...
- 1978
Gestuel (1978)
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This film is the most "plastic", the most "actionist" of Nedjar: it is his In contextus or his Double Labyrinth. Except that here - a single actor filmed in close-up on a plain black background. Nedjar "wiggles" his camera, with Gaël Badaud manipulat...
- 1981
Sara (1981)
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Portrait of the filmmaker's mother during her visit to Paris....
- 1981
Chutes de Pascal (1981)
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Outtakes from the movie...
- 1983
Bouquet of Eyes (1983)
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Through the use of portraits, shadow play and reflections, this series of exercises with and from body language compose a "four-handed" look against the notion of authorship: a vindication of the community content (repressed?) in every image....
- 1987
Fragments (1987)
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Eyes and ears travel discontinuously through everyday life and the sub-worlds of the city and the body. A fragmented and subjective day-to-day chronicle that outlines a recurring obsession for registering even the most ordinary things, where the leas...
- 1982
À quoi rêve l'araignée ? (1982)
À quoi rêve l'araignée ?0.81982HD
An autobiographical film that orchestrates the fragments of Michel Nedjar's life, to compose an architecture. The family films shot by his father, pieces of Michel's first films shot in the Balearic Islands and in Athens, contemporary images with Teo...
- 1991
Madrid, Quelques Images (1991)
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Experimental film by Teo Hernández....