Movies: Alberte Pagán

Documentary about the history of experimental cinema in Spain. FRAGMENTS is a historical survey of “the other” Spanish Cinema — films that brazenly explored their artistic, poetic and conceptual potential. Spanish experimental cinema can be glimpsed...

In this new installment of the series “Superficies”, an anti-fascist demonstration held in Santiago de Compostela on November 20th, 2007, in homage to the 16-year-old Carlos Palomino, assassinated in Madrid a few days before by a neo-Nazi is projecte...

"Bs.As." is an experimental documentary film that reframes the history of immigration from Galicia (Spain) to Buenos Aires (Argentina). A Galician man's curiosity about his long-lost relatives who immigrated to Buenos Aires takes him on a surreal jou...

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This film is "the opposite of a combat description. It's a combat." This is how the author speaks, in an explicit reference to Marker's film, of this urgent film for Palestine. Alberte Pagán presented a short and urgent film denouncing the situation...

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Images taken with a mini iPad, following the 11km perimeter walk going clockwise and under a temperature which reached 107ºF....

Seventy-five 6x9cm portrait photographs bought at Hietalahti's Market in Helsinki presented at a rate of one every seven seconds and a half in a double "soft (filmed) + hard (scanned)" screen version....

Walsed is a film study on the experimental classic “Visión fantástica” by Eugène Deslaw. Where Deslaw negativized, I negate —while recovering the original positive images—, drastically reducing the film’s 60 minutes’ length and reversing the images i...

A piece included in the series Superfícies II (a continuation of Superfícies I, initiated in 2014), in which Pagán induces a clash of textures and meanings by projecting images onto different surfaces and refilming them. In this case, the Francoist s...

Nature is cruel. Life is cruel. A stupid race to escape death, a more stupid flight to death. A jungle of feelings. In the jungle there is no perspective, there are no straight lines, there are no perpendiculars or horizontality: only a mass of organ...

She liked to explore territories, literatures and arts. She gathered experiences that had left an imprint in her life and in her abode. She got to mistake her life for the objects from every corner of the world that decorated her walls, and for the o...