Movies: Mona Hatoum

  • 1988
    Measures of Distance

    Measures of Distance (1988)

    Measures of Distance

    3.61988HD

    In this video, the artist tries to overcome the effects of distance, and reflects on geography represented in exile due to war, and on the psychological distance represented in each one’s approach to her womanhood. The video beautifully weaves person...

    Measures of Distance
  • 1994
    Corps Étranger

    Corps Étranger (1994)

    Corps Étranger

    3.31994HD

    This complex piece is composed of a cylindrical space with padded walls where the viewer is invited to enter and see a video of Hatoum’s internal body. As such, she makes use of indispensable medical imaging technology (that without, the work would n...

    Corps Étranger
  • 1988
    Eyes Skinned

    Eyes Skinned (1988)

    Eyes Skinned

    3.81988HD

    The tapes shows a blackhooded face - interspersed with slide projections of torture and brutality - scratching at her eyes with a sharp knife as we hear snips of news accounts of the eradication of the Palestinian people....

    Eyes Skinned
  • 1984
    Changing Parts

    Changing Parts (1984)

    Changing Parts

    0.31984HD

    It operates through the juxtaposition of two strands of ambiguously contrasting image and sound. She has said: 'I want to remind the audience that there are different realities that people have to live through … Changing Parts … is about such differe...

    Changing Parts
  • 2005
    The Eye

    The Eye (2005)

    The Eye

    0.32005HD

    In this interview, illustrated with these works and with other key installations including Socle du Monde and Corps étranger, Mona Hatoum explores the diverse sources of her work and her engagement with a wide range of often surprising materials. The...

    The Eye
  • 2011
    Axis of Light

    Axis of Light (2011)

    Axis of Light

    0.32011HD

    Seen through the work of eight leading artists from the Middle East, Axis of Light is a poignant and absorbing observation of the influences of conflict....

    Axis of Light
  • 1994
    Foreign Body

    Foreign Body (1994)

    Foreign Body

    0.31994HD

    Featuring aspects of biotourism, Hatoum uses the strategy of abjection in displaying the internal cavities in a way that has the effect of swallowing up the viewer. This complex piece is composed of a cylindrical space with padded walls where the vi...

    Foreign Body
  • 1986
    Emergence

    Emergence (1986)

    Emergence

    0.31986HD

    Four Black and Third World women artists, among them African American feminist poet Audre Lorde and Palestinian performance artist Mona Hatoum, speak forcefully through their art and writing....

    Emergence
  • 1985
    Roadworks

    Roadworks (1985)

    Roadworks

    0.31985HD

    Documentation of an hour-long performance in which the artist walks barefoot through the streets of Brixton, South London, with Dr. Martens boots tied to her ankles. The work was made in response to the Brixton's uprisings of 1981 and 1983 and in sol...

    Roadworks
  • 1983
    The Negotiating Table

    The Negotiating Table (1983)

    The Negotiating Table

    0.31983HD

    The room is dark, lit only by a light bulb over a table on which the artist lies motionless. Empty chairs surround the table. Her body is bloodstained, covered with entrails, wrapped in plastic, and her head is firmly covered in surgical gauze. On th...

    The Negotiating Table
  • 1984
    Variations On Discord and Divisions

    Variations On Discord and Divisions (1984)

    Variations On Discord and Divisions

    0.31984HD

    This 40-minute filmed performance was presented for the first time in 1984 at the New York art centre ABC No Rio. Since Mona Hatoum refuses to produce the same work twice, she generally creates one single site-specific performance. However, in 1984, ...

    Variations On Discord and Divisions
  • 1983
    So Much I Want to Say

    So Much I Want to Say (1983)

    So Much I Want to Say

    0.31983HD

    The video So Much I Want to Say consists of a series of still images, changing every eight seconds, which show the artist's face in close-up with a pair of male hands gagging her mouth and preventing her from speaking. Meanwhile her voice on the soun...

    So Much I Want to Say